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Handmade Indian sarees online shop 2023: Silk Ikat and cotton saris known as Patola, Pochampally, Bomkai, Khandua, Sambalpuri, Gadwal, Berhampuri, Bargarh, Jamdani, Tant, Mangalagiri, Guntur, Narayan pet, Chanderi, Maheshwari, Nuapatn, Tussar, Ilkal, Kotpad and Manipuri were worn for both festive and everyday attire.Tie-dyed and block-print sarees known as Bandhani, Leheria/Leheriya, Bagru, Ajrakh, Sungudi, Kota Dabu/Dabu print, Bagh and Kalamkari were traditionally worn during monsoon season. Gota Patti is a popular form of traditional embroidery used on saris for formal occasions, various other types of traditional folk embroidery such mochi, pakko, kharak, suf, kathi, phulkari and gamthi are also commonly used for both informal and formal occasions. Today, modern fabrics like polyester, georgette and charmeuse are also commonly used. Read extra details at shop Indian sarees online.
A factory-made cotton sari can cost as little as 500 rupees (US$7), while a handcrafted sari that takes anywhere from a few weeks to a few months to make can cost upwards of 200,000 rupees. The most expensive sari was sold for 3.93 million rupees in 2008. Over the past few decades, the demand for cheaper saris has made power-loom saris popular, making it difficult for hand weavers to compete. However, of late, handloom weaves are being reinterpreted in contemporary designs, and forgotten craftsmen are making a comeback. A beautiful sari is a living, breathing and enduring piece of art. It holds in its folds the history of an entire subcontinent, the skill of its craftsmen and the memories of the women who lovingly cared for it for the next generation.
Saris weave their way across much of India, on women rainbowing through the streets of Mumbai on bicycles, on actresses starring in Bollywood movies, or decking out multiple generations of a family in Rajasthan. Visitors seduced by the vibrancy and mythology of saris can shop for one to take home. Unlike other traditional garments in some cultures, the sari isn’t reserved for people of one nationality or set of beliefs. “I don’t think it’s disrespectful for Westerners to wear a sari,” says Chishti. “It’s more of an honor.” There is nothing wrong with sewing a dazzling one into a skirt or displaying it like art on a wall, says Sethi.
Women used to wear regional handloom sarees composed of silks, cotton, and other fabrics throughout the vintage era. Banarasi, Kanchipuram, Garhwal, Mysore, Uppada, Chanderi, and other renowned silk sarees were historically worn for important occasions like festivals or nuptials. Cotton sarees like Patola, Pochampalli, Sambalpuri, Jamdani, Tant, and others were generally used as daily wear. Even the yarns were dyed with natural colors derived mostly from plants such as indigo, turmeric, and other flowers. The Indian saree has been preserved, developed, tweaked, and continues to emerge in many forms utilizing diverse fabrics, stylings, drapes, and colors yet staying consistent in delivering grace, power, and comfort to the wearer. The saree has various traditions associated with it that have emerged over time.
Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Read extra information on https://silkpetalss.com/.
The popularity of the sari has a great deal to do with its versatility. The sari can be draped in nearly a hundred ways, allowing the wearer to style it so as to look formal or casual. Most of the drape styles are specific to different regions of India and, just like the food and regional languages, are a result of context, geography and function, explains 39-year-old Malika Verma, co-creator with Rta Kapur Chishti, 72, a sari historian, textile scholar and co-author of Saris: Tradition and Beyond, of the The Sari Series, a series of 84 short films documenting India’s regional sari drapes.