Top TV series online right now

Awesome TV shows online 2022? Alia Bhatt had an excellent performance as the protagonist in Meghna Gulzar’s movie, featuring Vicky Kaushal and Jaideep Ahlawat in supporting roles. In the 1970s, a timid Kashmiri student is persuaded by her dying father to marry into a family of Pakistani military personnel to communicate war-related intelligence to India. She uses her guile and charm to try to disrupt the neighboring country’s plans after some intensive spy training. Discover additional details at 99reel.

The Vast of Night is the kind of sci-fi film that seeps into your deep memory and feels like something you heard on the news, observed in a dream, or were told in a bar. Director Andrew Patterson’s small-town hymn to analog and aliens is built from long, talky takes and quick-cut sequences of manipulating technology. Effectively a ‘50s two-hander between audio enthusiasts (Sierra McCormick and Jake Horowitz playing a switchboard operator and disc jockey, respectively) the film is a quilted fable of story layers, anecdotes and conversations stacking and interweaving warmth before yanking off the covers. The effectiveness of the dusty locale and its inhabitants, forged from a high school basketball game and one-sided phone conversations (the latter of which are perfect examples of McCormick’s confident performance and writers James Montague and Craig W. Sanger’s sharp script), only makes its inevitable UFO-in-the-desert destination even better. Comfort and friendship drop in with an easy swagger and a torrent of words, which makes the sensory silence (quieting down to focus on a frequency or dropping out the visuals to focus on a single, mysterious radio caller) almost holy. It’s mythology at its finest, an origin story that makes extraterrestrial obsession seem as natural and as part of our curious lives as its many social snapshots. The beautiful ode to all things that go [UNINTELLIGIBLE BUZZING] in the night is an indie inspiration to future Fox Mulders everywhere.

A few words about streaming services : Netflix’s base plan now costs more than Hulu, at $8.99 per month. Netflix doesn’t run traditional ads on any of its content, but you need to pay more (at least $13.99 per month for the Standard plan) if you want to stream HD content and stream on more devices simultaneously. Paramount+’s ad-free tier is $9.99 per month, while HBO Max comes in at a much pricier $14.99 per month. Amazon Prime Video is at $8.99 per month. Shudder, a horror-focused streaming service, matches the price of Hulu’s ad-supported plan, but doesn’t show ads. Apple TV+ is cheaper than all of them at $4.99 per month. As for cable-replacement services, Hulu + Live TV costs the same as YouTube TV ($64.99 per month). Philo ($20 per month) and Sling TV’s Orange & Blue plans ($35 per month each or $50 together) are significantly cheaper. FuboTV starts at a slightly more affordable $59.99 per month, while AT&T TV’s entry-level tier is $69.99 per month, respectively. None of these services offer on-demand content libraries as complete as Hulu’s. You don’t necessarily need to pay to get video streaming entertainment. Our roundup of the best free video streaming services offers both on-demand services and those with preprogrammed channels. Apart from streaming Hulu on the web, you can download apps for mobile platforms (Android and iOS), media streaming devices (Apple TV, Chromecast, Fire TV, and Roku), smart TVs, and game consoles (PlayStation, Xbox One, and the Nintendo Switch). Hulu’s live TV tier is available on the PlayStation 4, but PlayStation 3 users are still out of luck when it comes to live TV. When you log in to Hulu for the first time, the service walks you through some personalization options in which you choose, channels, genres, and shows that appeal to you. Hulu uses this information to populate the My Stuff section of the web interface, a feature we discuss a bit later.

Steve Coogan and Rob Brydon follow the path first traversed by Odysseus in The Trip To Greece, once again engaging in the witty banter and dueling celebrity impressions that have become the hallmark of this Michael Winterbottom-stewarded comedy series. For this fourth and ostensibly final installment, the bickering couple (Coogan arrogant and condescending; Brydon cheery and patient) enjoy fine meals and show off their imitative vocal skills, here highlighted by Coogan doing a pitch-perfect Ray Winstone as King Henry VIII. In keeping with its predecessors, the duo’s latest colors its humor with a strain of wistful regret rooted in their thorny feelings about transitioning into middle age. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing.

Haley Bennett is absurdly good as a Hudson Valley housewife who’s sleepwalking through a controlling marriage until a psychological disorder forces her into awareness. Carlo Mirabella-Davis’s psychological drama is an exploration of domestic oppression and unexamined expectations of motherhood — but it’s also its own kind of body-horror story, as its heroine finds herself indulging in the urge to swallow things that were never intended for human consumption. These increasingly disturbing spectacles are enfolded in a movie that’s otherwise mesmerizingly beautiful, like a dream that gives way to a nightmare before dumping you, abruptly, back into the land of the living.