Music licensing studio for films by Rhythm Couture? Your Music Copyright (legal rights): To understand sync, you first need to understand copyright and copyright law. This is because owning or controlling copyright is how you are going to get paid. At first, this can seem daunting, but don’t worry, have a read through this article and soon you’ll be a licensing wizard! Master rights – This refers to the recordings themselves, the right to copy and exploit the master recordings hence ‘master’ rights. Each recording has its own master right attached to it, which can be bought, or sold, or licensed for sync. Publishing rights – This refers to the songs themselves. The actual music and lyrics and melodies and harmonies. You know… the song.
If you just don’t have the energy to do it all yourself, or you’re looking for someone with a more distinguished set of expertise, it might be smart to simply hire a firm. A music licensing firm holds the catalog of dozens (or hundreds) of artists, and they pitch your music to supervisors on your behalf. While this surely makes your life easier, the firm will typically get a percentage (depending on the type of deal). So, much like a PR firm or manager, if you can market your work on your own, by all means do it. It’s a great skill to have, and you’ll learn a ton. However, if you can afford it, this might be the easier option.
How are musicians compensated? All compensation is 50/50 with our musicians. You work hard to create your content, and we work hard to get the word out for you. It’s a partnership where everyone benefits equally across the board. Payouts related to placements are made biannually to minimize cost. This will likely change to a much more frequent interval as we grow. What if my music is already registered in Content ID? Songs submitted preferably should not be registered in Youtube Content ID or any content system that would impede upon the distribution. This can cause an issue with many of the high paying placements. However, if your music is registered in Content ID, keep in mind this is something that you can “turn off” if necessary per placement you receive. Don’t hesitate to reach out if you have any questions. Read even more info on music licensing for film.
Rhythm Couture artists questions and answers: Rhythm Couture is home to many talented musicians, and Jen-Shuo Chen is the latest up and coming artist set to make big waves within the music licensing industry. We recently sat down with him to discuss his recent signing with Rhythm Couture, and got to know him on an up close and personal level. What is your name, and where are you from? Hello! My name is Jen-Shuo Chen, I’m from Taipei, Taiwan. I started as a bass player 7 years ago, I played metal, jazz, funk, indie and almost any kind of music. After playing in several bands and recording sessions, I decided to move to film scoring in 2015. Which combines 2 of my favorite things, music and movies! So I prepared for a year and got into UNC School of the Arts to study Film Music Composition and got my master degree. Those experiences from band to classical make me able to analyze and write in almost any genres, being able to do this is one of my goals as well, because you’ll never know what your client wants for their films. As a TV composer in Taiwan, being able to write in different styles definitely helps a lot. For my personal projects, I recently wrote a lot of orchestral classical and electronic hybrid minimalism, ambient music.
RhythmCouture Recording Studios: two locations based in New York and Vermont. We proffer expertise in music licensing and musical solutions across all multimedia platforms. Kyle Hunter and Robert Ronci, Co-Owners, have paired their formidable musical repertoires and talent affiliations from around the globe to bring a distinctive differentiation to the music product placement space. Our range of clients include Calvin Klein, Les Mills, The New York Times, Vans, Forever 21, Marie Claire + more. Find extra information at https://www.rhythmcouture.com/.